For Freud, emotion was always sexual, derived from a dangerous Id that must be surgically uprooted: "Where Id was [In a 1927 lecture, Rank (1996) observes that "surgical therapy is uprooting and isolates the individual emotionally, as it tries to deny the emotional life" (p. 169), the same attack he and Ferenczi had leveled against psychoanalytic practice in their joint work. Otto Rank was born on April 22, 1884 in Vienna. But he had only read the first part. Thus, Freud funded Rank’s studies until the latter obtained his doctorate in philosophy. In 1905, at the age of 21, Otto Rank presented Freud with a short manuscript on the artist, a study that so impressed Freud he invited Rank to become Secretary of the emerging Vienna Psychoanalytic Society. The neurotic [who cannot unlearn, and, therefore, lacks creativity] is unable to accomplish this normal detachment process … Owing to fear and guilt generated in the assertion of his own autonomy, he is unable to free himself, and instead remains suspended upon some primitive level of his evolution" (Rank, 1996, p. 270). Reducing all emotional experience—all feeling, loving, thinking, and willing—to sex was one of Freud's biggest mistakes, according to Rank, who first pointed out this confusion in the mid-twenties.
40–41), and to "a theorizing of experience [All emotional experience by human beings was being reduced by analysis to a derivative, no matter how disguised, of libido.
Rank thus became the first paid member of the psychoanalytic movement, and Freud's "right-hand man" for almost 20 years. In art, microcosm meets macrocosm. In In France and later in America, Rank enjoyed great success as a therapist and writer from 1926 to 1939. Rank's psychology of creativity has recently been applied to Comparing the process of unlearning to the "breaking out" process of birth, Rank was the first psychologist to suggest that a continual capacity to separate from "internal mental objects" – from internalized institutions, beliefs and neuroses; from the restrictions of culture, social conformity and received wisdom – is the sine qua non for lifelong creativity. Relational, expressive and "here-and-now" therapy would not be acceptable to most members of the In May 1926, having made the feeling relationship in the "here-and-now" central to his practice of psychotherapy, Rank moved to Paris where he became a psychotherapist for artists such as Nin was transformed by her therapy with Rank. When he was 21, Rank met Rank and Freud worked together to expand Freud’s theories, and Rank was a co-founder of the International Psychoanalytical Association in 1910. Of my struggles to find a language for intuition, feeling, instincts which are, in themselves, elusive, subtle, and wordless" (Nin, 1966, p. 276). In 1905, at the age of 21, Otto Rank presented Freud with a short manuscript on the artist, a study that so impressed Freud he invited Rank to become Secretary of the emerging Vienna Psychoanalytic Society. The two became friends and were close confidants, with Rank acting as Freud’s assistant for nearly two decades. In the process of adaptation, man persistently separates from his old self, or at least from those segments off his old self that are now outlived. "Although there is no evidence of a direct influence, Rank's ideas found new life in the work of such action psychotherapists as Moreno, who developed a psychodrama technique of doubling ... and Landy [director of the drama therapy program at New York University], who attempted to conceptualize balance as an integration of role and counterrole" (Landy, 2008, p. 29). Although Rank continued to preach and practice his views of emotional here-and-now therapy, he had little support at the time. His thesis, on the Lohengrin Saga, was published in 1911, the first Freudian doctoral dissertation to be published as a book.
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