Yet this painter of exotic locales never left France, notwithstanding stories to the contrary. In traditional portraits such props are often symbolic, but here they resist explanation. Henri 'Le Douanier' Rousseau / Tête de lion / oil on board / via Christie's. Rousseau presented these figures as if he were documenting a historical moment, but in fact these personages never all gathered together in Paris.The figures here are personifications of the French colonies in Madagascar, equatorial Africa, Indochina, and North Africa. The calm, cultivated views of suburban Paris provide a contrast to his emotionally charged images of exotic jungles. Le Douanier Rousseau "The Repast Of The Lion" 16x24 Canvas Art at Lowe's.com. In the background children representing France's "young" colonies dance around the statue of Etienne Dolet, the sixteenth-century thinker executed for his unorthodox religious views.Marianne – the personification of the French Republic – wears the red cap of the French Revolution and stretches her left arm to extend an olive branch. Born in 1844 in Laval, a market town in northwest France, he was a provincial transplant to Paris who was impoverished for most of his life.
This ready to hang, gallery-wrapped art piece features yellow flowers in front of a tall garden. Bequest of Sam A. Lewisohn, 1951.
Giclee (jee-clay) is an advanced printmaking process for creating high quality fine art reproductions.
The Repast of the Lion, ca. Henri Rousseau's modest background belied his aspirations. He based the exotic vegetation of his many jungle pictures on studies that he made in Paris’s botanical gardens, …
Many of these paintings depict scenes of violence, particularly of animal combat.
In part this reflected the image of the "savage exotic" put forward in colonial literature and seen in the work of artists such as Eugène Delacroix, who also made several paintings of animals fighting.
These scenes say less about the jungle than about the anxieties of modern Paris.Rousseau was a frequent visitor to the botanical gardens, zoo, and natural history museum that made up of the Jardin des Plantes in Paris. In 1906, soon after Church and State in France had officially separated, this statue of a martyr for “free thought” was a loaded symbol.Rousseau's portraits represent some of his most disconcerting paintings. Stuffed animal specimens constituted a large portion of the collections of the Jardin des Plantes, which had some 23,000 bird and 6,000 mammal species on view. Placed in glass display cabinets, the specimens were often positioned in dramatic poses, based on both nature and sculptural tradition.
Born in 1844 in Laval, a market town in northwest France, he was a provincial transplant to Paris who was impoverished for most of his life. With that in mind, he produced numerous modest-sized canvases of suburban Paris, which he sold for equally modest sums, often exchanging them with local merchants for groceries or services.
While Rousseau's allegorical paintings depict such lofty themes, his humble, idiosyncratic style seems incongruous with the high-minded genre.Rousseau's imaginary ceremony depicts Marianne, the personification of the French Republic, towering over a group of past and present heads of state, including King Edward VII, Tsar Nicholas II, and Kaiser Wilhelm II–figures who never would have all gathered in real life. What others are saying. For this reason, he turned to allegory, long held to be the pinnacle of artistic achievement and a mainstay of the official Salon.
This epithet gave rise to the term "fauvism," still used today to describe the early work of Rousseau's young colleagues. He moved to Paris in 1868 and eventually became a clerk for the Paris municipal customs service.
Henri Rousseau's modest background belied his aspirations.
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douanier rousseau lion